[DeadCelebrityAlert] Phil Everly, half of pioneer rock duo, dies at 74

 

Born in the U.S.A.: Top 50 Stars of the 50 States


Phil Everly, half of pioneer rock duo, dies at 74


Sat Jan 4, 3:31 AM UTC

LOS ANGELES (AP) — Phil Everly, who with his brother Don formed an influential harmony duo that touched the hearts and sparked the imaginations of rock 'n' roll singers for decades, including the Beatles and Bob Dylan, died Friday. He was 74.

Everly died of chronic obstructive pulmonary disease at a Burbank hospital, said his son Jason Everly.

Phil and Don Everly helped draw the blueprint of rock 'n' roll in the late 1950s and 1960s with a high harmony that captured the yearning and angst of a nation of teenage baby boomers looking for a way to express themselves beyond the simple platitudes of the pop music of the day.

The Beatles, early in their career, once referred to themselves as "the English Everly Brothers." And Bob Dylan once said, "We owe these guys everything. They started it all."

The Everlys' hit records included the then-titilating "Wake Up Little Susie" and the universally identifiable "Bye Bye Love," each featuring their twined voices with lyrics that mirrored the fatalism of country music and a rocking backbeat that more upbeat pop. These sounds and ideas would be warped by their devotees into a new kind of music that would ricochet around the world.

In all, their career spanned five decades, although they performed separately from 1973 to 1983. In their heyday between 1957 and 1962, they had 19 top 40 hits.

The two broke up amid quarrelling in 1973 after 16 years of hits, then reunited in 1983, "sealing it with a hug," Phil Everly said.

Although their number of hit records declined in the late 1980s, they made successful concert tours in this country and Europe.

They were inducted into the Rock 'n' Roll Hall of Fame in 1986, the same year they had a hit pop-country record, "Born Yesterday."

Don Everly was born in 1937 in Brownie, Ky., to Ike and Margaret Everly, who were folk and country music singers. Phil Everly was born to the couple on Jan. 19, 1939, in Chicago where the Everlys moved to from Brownie when Ike grew tired of working in the coal mines.

The brothers began singing country music in 1945 on their family's radio show in Shenandoah, Iowa.

Their career breakthrough came when they moved to Nashville in the mid-1950s and signed a recording contract with New York-based Cadence Records.

Their breakup came dramatically during a concert at Knott's Berry Farm in California. Phil Everly threw his guitar down and walked off, prompting Don Everly to tell the crowd, "The Everly Brothers died 10 years ago."

During their breakup, they pursued solo singing careers with little fanfare. Phil also appeared in the Clint Eastwood movie "Every Which Way but Loose." Don made a couple of records with friends in Nashville, performed in local nightclubs and played guitar and sang background vocals on recording sessions.

Don Everly said in a 1986 Associated Press interview that the two were successful because "we never followed trends. We did what we liked and followed our instincts. Rock 'n' roll did survive, and we were right about that. Country did survive, and we were right about that. You can mix the two but people said we couldn't."

In 1988, the brothers began hosting an annual homecoming benefit concert in Central City, Ky., to raise money for the area.

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[DeadCelebrityAlert] Juanita Moore, Oscar nominated actress, dead at 99

    • 11 hours ago
  • Juanita Moore
    Actress
  • Juanita Moore was an American film, television, and stage actress. She was the fifth African American to be nominated for an Academy Award in any category, and the third in the Supporting Actress category ... Wikipedia




Juanita Moore, Oscar nominated actress, dead at 99


Wed Jan 1, 11:19 PM UTC

NEW YORK (AP) — Juanita Moore, a groundbreaking actress and an Academy Award nominee for her role as Lana Turner's black friend in the classic weeper "Imitation of Life," has died.

Actor Kirk Kelleykahn, her grandson, said that Moore collapsed and died Wednesday at her home in Los Angeles. She was 99, according to Kelleykahn. Accounts of her age have differed over the years.

Moore was only the fifth black performer to be nominated for an Oscar, receiving the nod for the glossy Douglas Sirk film that became a big hit and later gained a cult following. The 1959 tearjerker, based on a Fannie Hurst novel and a remake of a 1934 film, tells the story of a struggling white actress' rise to stardom, her friendship with a black woman and how they team up to raise their daughters as single mothers.

It brought supporting actress nominations for both Moore and Susan Kohner, who played Moore's daughter as a young adult attempting to pass as a white woman. Kohner's own background is Czech and Mexican. By the end, Turner's character is a star and her friend is essentially a servant. The death of Moore's character sets up the sentimental ending.

"The Oscar prestige was fine, but I worked more before I was nominated," Moore told the Los Angeles Times in 1967. "Casting directors think an Oscar nominee is suddenly in another category. They couldn't possibly ask you to do one or two days' work. You wouldn't accept it. And I'm sure I would."

Moore also had an active career in the theater, starting at Los Angeles' Ebony Showcase Theatre in the early 1950s, a leading black-run theater. She also was a member of the celebrated Cambridge Players, with other performers including Esther Rolle and Helen Martin.

Her grandson is currently president and CEO of the Cambridge group.

She appeared on Broadway in 1965 in James Baldwin's play "The Amen Corner" and in London in a production of "Raisin in the Sun."

"The creative arts put a person on another level," she told the Los Angeles Times. "That's why we need to bring our youngsters into the theater."

Her first film appearance was as a nurse in the 1949 film "Pinky." As with other black actresses, many of Moore's early roles were as maids. She told the Times that "real parts, not just in-and-out jobs," were opening up for black performers.

Among Moore's other films were "The Girl Can't Help It," ''The Singing Nun," ''Paternity" and "The Kid." Her TV credits include "The Alfred Hitchcock Hour," ''Adam-12," ''Judging Amy" and "ER."

Born in Los Angeles, Moore got her start in show business as a chorus girl at New York's Cotton Club, then joined the Ebony theater.

She was the widow of Charles Burris. She is survived by her grandson and two nephews.